The raw energy of Shammi was fuelled by Rafi’s voice, be it the famous cry of ‘yahoo’ in Junglee, the peppy club numbers from An Evening in Paris or Teesri Manzil or the romance and heartbreak of Kashmir Ki Kali. Prominent examples of this include Abhi na jao chhod karfor Dev Anand in Hum Dono, Dil mein chhupakar pyaarfor Dilip Kumar in Aan, any number of songs for Guru Dutt in the melancholy Pyaasa, or Aap ke haseen rukhfor Dharmendra in Baharen Phir Bhi Aayengi.īut probably the most unforgettable partnership was Rafi and Shammi Kapoor.
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Saigal and Noorjehan were giving way to professional playback singers, one of Rafi’s most striking qualities was his ability to modulate his voice according to the actor and his mannerisms - so much so that in some cases it gave the impression that the actor himself was singing. Having made it big in the film industry at a time when singer-actors like K.L. His range knew no bounds either - from heavily classical numbers to peppy dance numbers, he did it all. Rafi was the rare artiste whose career had no peaks or troughs - from the 1940s until his death, he was always at the top of the industry, singing for prominent stars like Dilip Kumar, Dev Anand, Guru Dutt, Rajendra Kumar, Shammi Kapoor. Rafi had once mentioned that in his childhood, songs sung by fakirs passing through the streets had had a profound effect on him - and that’s probably exactly the effect his own voice has had on generations of music enthusiasts, and even the actors, singers and musicians he worked with.Īlso read: Mohd Rafi was the voice that would soothe our broken hearts
India has been blessed with many great artistes, but Rafi stands out for the sheer range of emotions his voice could exhibit effortlessly - happiness, pain, sorrows, excitement, and of course, love. New Delhi: It has been 40 years since Mohammad Rafi passed away, but his mellifluous voice continues to resonate in the hearts of music lovers.